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i have produced a variety of webpages and websites on audio-related topics. this audio miscellany site concentrates on home audio. other - more technical - ones are on my university website. the following is a set of brief descriptions of these pages/sites with links you can follow if interested. scots guide to electronics. this has a large number of pages on all sorts of areas of electronics. audio and analog. this is a section devoted to the areas of electronics and physics relevant to analog audio. topics covered include the properties of cables and an analysis of ‘skin effect’. the pages also consider things like ‘bi-wiring’ between amplifiers and loudspeakers and the effects of clipping on loudspeakers. armstrong audio. this was a uk company who produced radio, audio, and hi-fi equipment from the late 1930's until the early 1980's. i worked for them for a few years so have produced a fairly extensive set of webpages giving information about them and their products. j. e. sugden class a power amplifiers. in the 1960s jim sugden was the first to produce commercial designs for class a solid state audio power amplifiers that were sold for use in domestic hi fi systems. these pages look at the early history of jim sugden’s designs and the details of the circuits he devised. although the following set of webpages deal with audio and hi-fi, most of my working life was devoted to other topics. if you are interested you can see more about that on my “ups and downs” pages. they include topics ranging from the use of concorde to observe a solar eclipse, telescopes on hawai'i, and pantomime! the following links are mostly to webpages related to feature articles and my monthly column in hi fi news magazine. many of the pages contain extra material which wasn't included in the printed magazine.the dates given are the cover-dates of the relevant issue of the magazine. you can click on one of the above buttons to jump to the section for a specific year. otherwise you can browse down this page. the items are arranged below to start with the newest additions to make them easier to find if you've visited before. the rest are then listed in chronological order. ringing on the line. some recent discussions about the response behaviours of items like microphones and lp replay cartridges prompted me to have a fresh look at one aspect of the behaviour of the stylus systems used in cartridges. this shows the results of considering their mechanical behaviour in terms of applying transmission line theory. master quality authenticated or bit freezing? this is a set of pages that examine the ideas and methods employed for ‘mqa’ to try and squeeze higher audio quality into smaller files or data rates. one of the pages also outlines an example of an alternative method which is ‘free and open’. this alternative may avoid some of the side-effects of mqa while being able to fit high resolution data into smaller files or lower stream rates. this approach is one i have called “ bit freezing ”. getting high rez into shape . thinking about other ways to reduce file or stream sizes using open and free methods it occurred to me that noise shaping could be employed for this purpose. this techique is widely used for other tasks. indeed, it is already employed to make sacd/dsd a 'high resolution' format despite that only using one bit per sample! it occurred to me that the biggest bar to it being employed for high resoultion lpcm is that most people don't understand how it works or what it can do, and tend to mistakenly assume ‘high rez’ must require more than 16 bits per sample. but that ain't necessarily so... armstrong 626 renewal. in july 2015 i decided to have my old armstrong 626 tuner-amplifier refurbished and modified by mike solomons. the set originally belonged to ted rule who designed the armstrong 600 range. so to me it is a special set. i think the result looks and sounds excellent. this page gives more details. audio cd health check! this page shows examples of what you can discover if you carry out a statistical analysis of the sample values on some audio cds. the results show that the audio on some of them has problems caused by the way they were produced. flac audio file health check! this page shows some of the results of extending the same approach as i used for the cd health check to flac files. as with cds, the results show that not all ‘high resolution’ flac files make best use of high sample rates or 24-bit samples. the bbc audio factory. from the beginning of 2015 the bbc started to change their systems for delivering the iplayer. this pages looks into the details of the changes and how and why they have been made. the process is expected to continue though 2015. it should lead to better results, but it has been a bumpy ride! hearing and audio. this is a collection of pages on how human hearing works and the implications that may have for audio equipment. these pages are based upon various articles in hi fi news and living with technology. (various dates in 2004) good resolutions. this consists of two pages based on an article i wrote comparing the noise and dynamic range properties of lp and cd-audio. there is also an extra page , dealing with some misunderstandings and comments in two letters about the article which appeared in a later issue of hi fi news. (april 2005) sound on vision. having bought a digital terrestrial tv (dttv) receiver i discovered that i often preferred the sound quality for bbc radio 3 on dttv to that on fm. i also found that i preferred the sound on bbc4 tv when they were ‘symulcasting’ something like a prom concert. the page looks at some of the differences between dttv and fm, and suggests possible reasons for the dttv broadcasts being preferrable to fm. (march 2006) clipping on cd. having compared the dynamics of the audio broadcasts used for uk digital tv and radio i decided to do a similar comparison of lps with cds. the results show clear signs that many pop and rock audio cds are more level compressed than lps, and are often also severely clipped! (december 2006) out of tune . this page compares the behaviours of single-ended (se) and push-pull (pp) power amplifier arrangements to see if some of the claims made about se arrangements stand up to scrutiny. in particular, the two are compared by using test waveforms which are rather more like music than a simple sinewave. the results show that the se arrangement can produce significantly greater anharmonic distortion than pp in such cases. (january 2007) like with like?... this page is an expanded and updated version of an article that compared the dynamics and level compression on fm and dab. the results show similar behaviour to the earlier comparison of fm and dttv, but the article provides more details of the level compression behaviour. (april 2007) scamp -the society for cruelty to amplifiers . this page explains the surprising demands that some loudspeakers impose on the power amplifier without the user knowing. in practice, the loudspeaker designer creates a problem which the amplifier designer then has to solve. the page calls upon audiophiles of the world to rebel against the reactionary loudspeaker designers! (may 2007) bandwidth blues. this page investigates the levels of distortion which are inherent in real-world fm audio broadcasts as a result of the transmissions having to be confined to a limited transmission bandwidth. the effect means higher distortion levels than you might expect from the measurements published in reviews - even when you use a superb tuner and antenna system! (july 2007) over the top! this page examines a problem which can arise when a waveform has excursions in between samples that exceed any of the sampled values. this effect is particularly important for digital recordings or broadcasts which have been made as loud as possible. as a result, a player may have to output signal levels from 1db to more than 5 db greater than the nominal maximum 0d

URL analysis for audiomisc.co.uk

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  PORT 43

  TYPE domain

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

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  NAME audiomisc.co.uk

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  NS1.ORPHEUSNET.CO.UK 86.54.100.214

  NS2.ORPHEUSNET.CO.UK 178.250.73.25

  NS0.ORPHEUSNET.CO.UK 86.54.100.210

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